Roger Ebert Reviews

Last year at the Venice Film Festival, I saw a documentary directed by Matthew Wells called “Frank Capra: Mr. America.” It was engaging, informative, and very pro-Capra. My friend, Farran Smith Nehme, was one of its interviewees. Another thing that happened last year is that, with Farran and my wife Claire, I recorded a commentary […]

2021’s “Squid Game” became one of the biggest hits of the Streaming TV era, unexpectedly launching its way to the title of Netflix’s most-watched show ever, on its way to Emmys for acting (Lee Jung-jae) and direction (Hwang Dong-hyuk). Despite a bit of a cliffhanger in its final episode, the first season of “Squid Game”

It’s that time of year when everyone is talking about their favorite films and performances, but not nearly enough attention is given to everything else that we love about the art of movies. We asked our contributors to pick out one tech element – cinematography, editing, score – to praise from 2024. Anything that wasn’t

At first blush, Rachel Morrison landed the perfect project for her directorial debut. The cinematographer known for her work with Ryan Coogler (“Fruitvale Station” and “Black Panther”) and Dee Rees—she became the first woman nominated for Best Cinematography for her work on Rees’ “Mudbound”—landed a script written by “Moonlight” director Barry Jenkins about the real-life

When I published my book recently I reached out to my friend, Tamron Hall, the award winning Talk Show host of “The Tamron Hall Show.” She in her generosity agreed to write the Foreword. I was surprised that she had encountered certain obstacles when she first came to Chicago as a reporter and broadcaster. Tamron

The French call the orgasm la petite mort, but for Stephanie Hsu’s frenzied, thirtysomething serial dater Ruby in Peacock’s latest series “Laid,” the deaths around her are far from little. She’s the typical rom-com protagonist, or at least she’d like to think so: She’s obsessed with them, right down to coveting Billy Crystal’s abs in

It’s our favorite time of year, the one in which the many writers of this site pick their favorite performances to write about. There were so many contributions this year that we’ve split the results in two—the second half will run tomorrow. Now, a few notes. These pieces are not comprehensive. There are performances we