Roger Ebert Reviews

What you need to know about Hulu’s, Spanish-language “La Máquina” is that Diego Luna is downright hilarious in it. The six-part show follows old friends (and “Y Tu Mamá También” co-stars many years ago) Gael García Bernal and Luna as boxer Esteban “La Máquina” and his agent Andy. Is García Bernal totally convincing as an

When we are first introduced to “Sweetpea’s” Rhiannon Lewis (Ella Purnell), she goes over a list of people she would like to kill. From the supermarket worker who ignores her to the boss who sees her as nothing but an assistant, the list is extensive, and obviously thought out. Slight in frame and timid in

The leaves are changing, the weather is cooling, and the cinephile set is lining up outside of Alice Tully Hall and the Walter Reade Theater. New York is once again welcoming fall with the latest edition of the New York Film Festival. Since its inception in 1963 with the opening night screening of Luis Buñuel’s

“A Different Man’s” point of view is layered, introspective, and completely unique. The second collaboration between actor Adam Pearson and writer-director Aaron Schimberg — the two previously worked together on Schimberg’s “Chained for Life” — is based on a real-life dialogue between Pearson and Schimberg (with Sebastian Stan joining in later on) on disfigurement, visible

Armano Iannucci, the genius behind “The Thick of It,” “Veep,” and “The Death of Stalin,” feels like a perfect fit for a takedown of superhero movie culture. After all, he knows how to puncture the balloons of people who take themselves way too seriously, and the amount of pretension in the political pools in which

South Korea’s “The Hill of Secrets” is a seemingly simple coming-of-age tale that turns out to be more complex than it first appears. Set in a small city near Seoul in 1996, the film revolves around Myeong-eun (Lee Ji-eun), an 11-year-old elementary school girl who is very sensitive about how she is regarded by her

The new body horror film “The Substance” from French filmmaker Coralie Fargeat is not for the squeamish. A satire about the tolls of toxic beauty culture, the film is set in a fairytale-like Hollywood. Demi Moore, in a career-best performance, stars as Elisabeth Sparkle, a former A-lister who lives in a fancy apartment in the