May 4, 2024 6:10 pm

Roger Ebert Reviews

I Saw the TV Glow

Jane Schoenbrun’s second feature is a gnawing search for belonging in the static spaces between analog pixels. They stir dreamlike logic into scavenged memories, especially in a scene early in the film that grasps at how the medium of television’s celestial radiance can grant wide-eyed salvation in even the darkest room. A young Owen (Ian

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Facets to Honor Academy Museum President Jacqueline Stewart at the 2024 Screen Gems Benefit

On Wednesday, May 1st, 2024, FACETS will honor Jacqueline Stewart, Director and President of the Academy Museum of Motion Pictures, at their annual Screen Gems Benefit. Taking place at the Arts Club of Chicago (201 E. Ontario Sreet.), the event runs from 6:00–9:00 pm and includes an open bar, light dinner, online auction, and special conversation between Jacqueline

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No Easy Answers: On the Power of The Teachers’ Lounge

The German film “The Teachers’ Lounge,” which was recently nominated for Best International Film Oscar and played this year’s Ebertfest, is a riveting school drama about how one seemingly simple matter becomes quite complicated for everyone involved. No matter much how its good-willed heroine tries for resolving this increasingly tricky situation, things keep getting messier

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No Therapy: The Primordial Commitment of The Northman

Robert Eggers’ third film “The Northman” sticks in the mind. Released in 2022, it’s the longest and by far most expensive film by Eggers—a bloody, glowering epic fantasy, loosely based on the myth that inspired William Shakespeare to write Hamlet, with dollops of the original “Conan the Barbarian” and heavy metal album covers. It continues the director’s streak of films that

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Home Entertainment Guide: April 2024

10 NEW TO NETFLIX “The Act of Killing““Amadeus““Anyone But You““Happy Gilmore““The Killing Fields““Knocked Up”“Lucy““Strange Way of Life““Suzume““The Thin Blue Line“ 11 NEW ON BLU-RAY/DVD “Andor” (and Disney+ Shows) There seems to be a trend back towards physical media (at least I hope so), partially due to the realization over the last year or so that

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Evil Does Not Exist

“You can’t get a head start if you aim for perfection,” a clueless moneyed entrepreneur muses during a video chat with his two shell-shocked subordinates in the new film from writer-director Ryûsuke Hamaguchi. In the context of the actual conversation the sentiment is even more inane than it sounds on the face of it. And

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