Roger Ebert Reviews

An epic saga of assimilation, architecture, and the artist’s struggle to endure, Brady Corbet’s “The Brutalist” tells the story of László Tóth (Adrien Brody), a Hungarian-born Jewish architect who escapes postwar Europe by emigrating to the United States, where he labors to rebuild his life, career, and marriage to wife Erzsébet (Felicity Jones). Eventually settling […]

Death and desire collide with seductive, shivering power in Robert Eggers’ “Nosferatu,” a grandly Gothic reinterpretation of F.W. Murnau’s silent-film classic that channels the dark, psychosexual energies at the core of vampire mythology into a haunting tale of obsession.  Steeped in the shadows of its lineage—not only the German Expressionist original but also Bram Stoker’s

Director Peter Berg‘s works alternate between wholesome American stories and completely unhinged jingoism. Over the past decade, the latter side has come out in films like “Lone Survivor,” “Patriots Day,” and even “Mile 22,” depicting marginalized groups or non-Americans as savages and manipulating viewer affection by killing “noble” heroes. For Berg, it’s America first, and

An early indicator of what to expect from Amazon Prime’s “On Call” is in the opening credits. Listed as the creator is Elliot Wolf, son of copaganda impresario Dick, who is, naturally, serving as executive producer. And yes, Dick Wolf really did just name Detective Stabler (“Law & Order: SVU”) after his own son and

Leaving behind the more metaphorical language of his earlier films in favor of an incendiary direct address, Mohammad Rasoulof’s “The Seed of the Sacred Fig” is a brave and searing drama about an Iranian family torn apart by theocracy and its repressive mechanisms. Shot entirely in secret, it’s also the last film that Rasoulof was

Having grown up watching Tim Allen in “Home Improvement,” I went into ABC’s “Shifting Gears” with some skepticism. It’s not so much that I don’t like the guy as I had a hard time imagining his talents translating to 2025. But “Shifting Gears” won me over easily. Was I tearing up already in the first

Ian Bawa’s “My Son Went Quiet” tells a story of grief and ghosts. In the film, a Father (Harkaran Jhinger) and Son (Jay Vaidyanathan) have just come from a funeral of the young man’s mother. (Father) notices that (son) has stopped talking, perhaps too stunned by the loss and has been left with a debilitating

The first season of “Severance” was one of the best standalone TV outings of the streaming era, all the way down to its incredible conclusion. But it always felt like a tough act to follow. While the end of that award-winning season opened doors to dozens of thematic hallways, which one would the writers take?

It’s a bit disconcerting to see the “new kid” of Cook County General Hospital on the massive hit “ER” become the grizzled veteran of a similar medical drama three decades later, but that’s where we’re at with the very good “The Pitt,” a show that reminds one of the simple charms of well-done procedural television.