June 17, 2025 9:14 pm

Roger Ebert Reviews

Cannes 2024: Table of Contents

The following table of contents contains Chaz Ebert‘s video dispatches from Cannes 2024, produced by herself and Scott Dummler of Mint Media Works, and written dispatches by Robert Daniels, Ben Kenigsberg, Jason Gorber, Isaac Feldberg, Scott Dummler, and Lisa Nesselson.  Video Dispatches: A Preview of the 2024 Cannes Film Festival by Chaz Ebert Cannes 2024 Video #2: The

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Netflix’s Bridgerton Makes Some Improvements to its Popular Formula

The Shondaland/Netflix juggernaut that is “Bridgerton” is back for a third season, after taking a fruitful detour via its “Queen Charlotte” prequel. This new season, focusing on the love story of Nicola Coughlan’s Penelope Featherington and Luke Newton’s Colin Bridgerton, is sure to please fans of the series as it features all the stylistic elements

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Furiosa: A Mad Max Saga

“The question is, do you have what it takes to make it epic,” says an undaunted Chris Hemsworth. It’s a call to action that comes toward the end of “Furiosa: A Mad Max Saga,” George Miller’s apocalyptic epic western prequel to “Mad Max: Fury Road” that could, of course, be directed at Miller himself. Because

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Roger Corman’s Greatest Legacy Was Giving So Many People Their Big Break

Roger Corman, who died last week at 98, was so important and influential that a thorough account of his impact would require a book (there have already been many – and documentaries, too). But the most impressive achievement of all is his mentorship of young actors, writers, and filmmakers, many of whom would go on to

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Fated for All: Romanclusivity Captures Our Hearts in Bridgerton and Beyond

An epiphany can strike like an astronomical event, the way love is like the birth of a star. My latest ah-ha moment arrived with the total eclipse of the sun. I’d been pondering romance. Not any old love, but the magnetism of “historical romance” novels when adapted into movies/shows that celebrate inclusivity. It’s a starry-eyed

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IF

If you’re lucky enough to attend an early screening of John Krasinski’s new film, “IF,” you may be greeted with a short introduction by the writer/director, asserting that the film is expressly for all the “girl dads” out there. Having now seen it, that much is true: despite its family-friendly brief, “IF” is less for

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