Roger Ebert Reviews

Do you remember “Nightwatch,” the 1994 Danish thriller about a young psych ward attendant who gets stalked by a killer? There was an English language remake in 1997 with the same title and director (Ole Bornedal) and starring Ewan McGregor, Nick Nolte, and Patricia Arquette, among others. The Danish version was better, though even that […]

We are proud to present an excerpt from Hollywood Pride by Alonso Duralde. In stores now or get your copy here. The official synopsis is below, followed by the excerpt. For generations, members of the LGBTQ+ community in Hollywood needed to be discreet about their lives but—make no mistake—they were everywhere, both in front of and

In 1964, Robert Rauschenberg won the coveted Golden Lion at the Venice Biennale, an international exhibition of contemporary work. The documentary “Taking Venice” is about the behind-the-scenes maneuvers that resulted in Rauschenberg taking the prize. Director Amei Wallach, an art critic and specialist in fine arts documentaries (she also did “Emilia Kabakov: Enter Here” and “Louise

It’s an odd sensation to balance a series that at once works but doesn’t wholly meet your expectations. In the moment, as you’re clearly enjoying yourself, you can’t help but feel a nagging, pestering pull for more. Jim Hecht’s Apple TV+ miniseries “The Big Cigar,” based on Joshuah Bearman’s same-titled book, concerns Huey P. Newton’s

“The Blue Angels,” a nonfiction film about the Navy’s flight demonstration team, was made for IMAX, in two senses of the phrase.  First, technically: according to Cineworld’s website, “‘The Blue Angels’ was shot with Sony’s Venice 2 IMAX-certified digital cameras and features IMAX exclusive Expanded Aspect Ratio (EAR) throughout.”  Second: it’s mainly, perhaps almost exclusively, a spectacle, and as much

J.K. Simmons knows how to do sociopath. There’s something so fascinating about a performer like Simmons who can pivot from a guy who looks like your average suburban neighbor to a total lunatic with a perfectly timed malevolent smile. He’s having a blast in most of “You Can’t Run Forever,” and the fact that it

The films of the prolific South Korean writer-director Hong Sang Soo are for the most part set in the contemporary world, but they rarely depict the bustle of our times. His characters interact in settings that are quiet, sometimes practically deserted. When a character ventures out into a location of potential action and disorder—in this

The foundation of most comedy is the gulf between our belief that we can control our bodies, words, and relationships and the reality that, most of the time, they’re uncontrollable messes. “Babes” explores that gulf with exuberant joy, endearingly vulnerable characters, and performances filled with heart and charisma. Also with every possible bodily function and

Director Sam Taylor-Johnson’s “Back to Black” invokes a single question, one fans of Amy Winehouse are sure to recognize: What kind of f*ckery is this? The Camden-bred superstar, played by Marisa Abela, was famously “just one of the girls.” Down to earth, charming, witty, and, when she opened her mouth, a dazzling performer with an

2008’s “The Strangers” didn’t seem like the kind of film that would produce a series when it was released. But it’s about to explode into precisely that with the release of “The Strangers Trilogy,” three films directed by Renny Harlin that serve as sort of a remake but also a prequel to the Bryan Bertino