June 16, 2025 6:59 pm

Roger Ebert Reviews

Locarno Film Festival 2024: Youth (Hard Times), Transamazonia, Moon

It’s been hot in Locarno, Switzerland. So much so that every person introducing a film has joked about the respective theater’s air conditioning being a welcomed respite to accompany the movies. This being my first time covering Locarno Film Festival, where a leopard’s roar accompanies every screening — I can only concur that this 77th

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Good Bad Things

“Good Bad Things” is an intimate, small story about the gigantic issue that challenges and terrifies us all: the collision between the desperate need to be seen and loved and the fear that what people might see will repel rather than attract them. Written by lifelong friends Shane D. Stanger (who also directed) and Danny Kurtzman

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Thumbnails 8/15/24: Six Must-Reads You Don’t Want To Miss This Week

From an interview with “It Ends With Us” director and star Justin Baldoni to a smattering of four-star reviews, here is a sampling of the articles we know you won’t want to miss this week. 1. “Justin Baldoni Wants You To Believe” by Tim Grierson “That true-believer attitude starts at the top. Baldoni is nothing

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Jackpot!

“Jackpot!” is a trashy and repetitive action comedy about greed and bloodlust set in a world full of people who are proud to be awful. Directed by Paul Feig (“Spy”), it’s set in near-future Los Angeles, which begins to seem like a statement in itself as the movie goes along. There’s a statewide lottery. For some reason, the state

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Alien: Romulus

When Ridley Scott released “Prometheus” and “Alien: Covenant,” the main criticism levied against them essentially boiled down to that they didn’t provide the same kind of sci-fi thrills as “Alien” and “Aliens,” two of the most beloved films of all time. Anyone who dislikes those films because they have too much philosophy and not enough

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Female Filmmakers in Focus: Angela Patton and Natalie Rae

The inspiring, heartfelt, and profound documentary “Daughters” swept this year’s Sundance Film Festival, winning both the Audience Award for U.S. Documentary and the overall Festival Favorite Award. Co-directed by Angela Patton and Natalie Rae, this beautiful film follows four girls and their incarcerated fathers as they prepare to attend a father-daughter dance held in Washington,

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