May 14, 2025 2:59 am

Roger Ebert Reviews

Jackpot!

“Jackpot!” is a trashy and repetitive action comedy about greed and bloodlust set in a world full of people who are proud to be awful. Directed by Paul Feig (“Spy”), it’s set in near-future Los Angeles, which begins to seem like a statement in itself as the movie goes along. There’s a statewide lottery. For some reason, the state […]

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Alien: Romulus

When Ridley Scott released “Prometheus” and “Alien: Covenant,” the main criticism levied against them essentially boiled down to that they didn’t provide the same kind of sci-fi thrills as “Alien” and “Aliens,” two of the most beloved films of all time. Anyone who dislikes those films because they have too much philosophy and not enough

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Female Filmmakers in Focus: Angela Patton and Natalie Rae

The inspiring, heartfelt, and profound documentary “Daughters” swept this year’s Sundance Film Festival, winning both the Audience Award for U.S. Documentary and the overall Festival Favorite Award. Co-directed by Angela Patton and Natalie Rae, this beautiful film follows four girls and their incarcerated fathers as they prepare to attend a father-daughter dance held in Washington,

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Mothers’ Instinct

“Mothers’ Instinct” gets by on its pulpy potential more than anything else. There’s something intrinsically appealing about watching two phenomenal actresses go head-to-head in an old-fashioned melodrama. Still, director Benoit Delhomme (the excellent cinematographer who shot “A Most Wanted Man,” “At Eternity’s Gate,” and many more) can’t quite figure out what movie he’s making. At

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The Box Office is Everything: In Praise of the Window at the Front of the Theater

When I was in college I worked at a Dallas movie theater, the Inwood. It was an art house theater that mainly showed foreign films, independents, and some repertory titles. During my workdays there, most of the time I was working at the concession stand. But sometimes they’d put me in the box office.  In case anybody very young

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The Last Front

“The Last Front” is a first-rate calling-card movie—a medium-budget project that feels much bigger because it puts all the money on the screen, as studio executives like to say, and that will make people want to trust first-time director Julien Hayet-Kerknawi with bigger budgets moving forward. But it seems more likely that it’ll be a Dwayne Johnson action

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