Roger Ebert Reviews

Paramount+ and Showtime’s “The Agency” doesn’t have the spy action that fans of “Mission: Impossible” or James Bond may expect, but I found the two episodes sent to press consistently riveting due to the sharp dialogue, incredible ensemble, and tight filmmaking. In an era of broad escapism like “The Night Agent” (which has value too, […]

At the end of Hayao Miyazaki’s visually stunning “Howl’s Moving Castle,” the titular Howl bemoans a sudden ache in his chest. The protagonist, Sophie, succinct yet joyful, replies, “A heart’s a heavy burden.” The poignancy of the line demonstrates Miyazaki’s ability to enchant viewers with staggering artistry and spellbinding narratives that both whisk us away

A cop, tortured by memories of child abuse and unable to connect with those who love her, returns to her hometown to try and address her past pain. Her obsession with doing her job well is her sole driving force, so much so that everything else in her life is sacrificed at the altar of

I’ve never felt prouder to be a Chicagoan than when attending the 30th Black Harvest Film Festival. As Chicago’s premier Black film festival, Black Harvest serves as a homecoming for the voices and stories of Black people from the city and across the diaspora and the world. This year, I felt a profound connection to

One era’s trash is another era’s treasure. This becomes truer the deeper we get into the era of computers and automated, technology-assisted production. I’ve been thinking about this because of the existence of the nostalgia cable network MeTV Toons. It runs nothing but older animation—mainly stuff produced between the 1940s and the 1990s for movie

Mike Schur’s “A Man on the Inside” is a delightfully pleasant charmer, a comedy that’s almost calming as it drops into a tumultuous world. The co-creator of “Parks and Recreation” and “The Good Place” is not only one of the best writers in the history of the form (he also had his hand in “Hacks,”

Across the two features she’s made to date, Payal Kapadia has emerged as a luminous new voice in Indian cinema, exploring the personal as political through her shimmering, empathetic portraits of working-class Mumbai.  Her first feature, “A Night of Knowing Nothing,” opened with unsent love letters, from a film student to her estranged lover, discovered

It’s been a long time since a “Call of Duty” game truly entertained me. Sure, I still play them every year, going on two decades now, but it’s felt like the developers were treading water, at best, during the last few installments. 2023’s “Call of Duty: Modern Warfare III” was particularly egregious with its greatest