Roger Ebert Reviews

The ambition of Ubisoft’s “Star Wars Outlaws” constantly battles with the execution in a game that’s alternating invigorating and frustrating, a title that feels like it has boundless potential that also feels like it traps you in the same repetitive mechanics. It also suffers from a too-common problem of AAA games in that it’s unacceptably

Locarno was a tricky festival to navigate. Usually, when I attend a festival, I’m forced to keep my eye on the newest titles and open my ears to the latest buzz, retooling my schedule on the fly to catch a film I may not find again. But because of the Columbia retrospective series—I will write about

We are incredibly proud to present an excerpt from Carrie Rickey‘s new book about the life and work of Agnès Varda, one of the most important filmmakers in the history of the form. The official synopsis is below, followed by the excerpt. The book is available now, and we’ll have a review soon. The first major

Last year, at the Il Cinema Ritrovato festival in Bologna, I saw a newly restored version of “Tony Arzenta” (called “No Way Out” in the U.S.), a 1973 Italian thriller from director Duccio Tessari, although even in that sophisticated audience few had heard of or cared about the director. We were there, several hundred of

Phil Donahue, who passed away on August 18 at the age of 88, did not introduce the television talk show, of course—Joe Franklin is credited with beginning the first one back in 1951, and this was followed a couple of years later by the first iteration of “The Tonight Show” with Steve Allen hosting. What

XL Film Festival & Summit, founded by Creative Cypher’s Troy Pryor, has returned to Hyde Park for year two, once again hosted at Hyde Park’s Polsky Exchange Center. This year, XL Fest expanded with a series of shorts screened around the corner at the Harper Theater for the August 15-18 weekend. Since its reopening in 2021,

Based on the bestselling novel of the same name by Edward Kelsey Moore, “The Supremes at Earl’s All-You-Can-Eat” is a throwback movie to those comforting, star-studded dramedies that used to be box office bread and butter. Mostly set between 1968 and 1999, the film follows best friends Odette (Aunjanue Ellis-Taylor and Kyanna Simone), Clarice (Uzo