May 13, 2025 9:06 am

Roger Ebert Reviews

Somehow, James Gunn Always Gets You: An Appreciation of “Creature Commandos”

Damn you, James Gunn. You got me again.  That’s what I was thinking at the end of the fourth episode of the Max animated series “Creature Commandos.” Titled “Chasing Squirrels” and written by Gunn, the episode reveals the calamitous history of a bug-eyed, furry humanoid known as Weasel. There’s an obligatory early scene where the […]

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“The Hangover,” “Rumours” Announced For Ebertfest 2025

Todd Phillips‘s record-breaking comedy “The Hangover” and Guy Maddin‘s 2024 satire “Rumours” joined “The Searchers” as titles confirmed for this year’s Ebertfest. See the full release below: Roger Ebert’s Film Festival, also known as Ebertfest, announced today that Todd Phillips’ THE HANGOVER starring Bradley Cooper, Ed Helms, Zach Galifianakis, Heather Graham, and Justin Bartha will close the 26th annual festival on

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Book Excerpt: Foreword to The Wes Anderson Collection: Asteroid City by David Bordwell

We are honored to present the foreword to Matt Zoller Seitz’s upcoming release The Wes Anderson Collection: Asteroid City, written by David Bordwell. The book will be available on January 28, 2025. Get a copy here. The Stubborn Stylist’s Space Adventure In the history of cinema, it’s rare to find directors who persist in the

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Starz’s “The Couple Next Door” Stops Itself From Reaching Great Heights

When school teacher Evie Greenwood (Eleanor Tomlinson) and her partner Pete Thomas (Alfred Enoch) take the chance to move to suburbia, they anticipate that this new community will change their lives for good. With a baby on the way, the couple is looking to finally become the family they’ve always dreamed of being. But like

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The Trauma of Inevitability: Brady Corbet and Mona Fastvold on “The Brutalist”

An epic saga of assimilation, architecture, and the artist’s struggle to endure, Brady Corbet’s “The Brutalist” tells the story of László Tóth (Adrien Brody), a Hungarian-born Jewish architect who escapes postwar Europe by emigrating to the United States, where he labors to rebuild his life, career, and marriage to wife Erzsébet (Felicity Jones). Eventually settling

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Dream of Death: Robert Eggers on “Nosferatu”

Death and desire collide with seductive, shivering power in Robert Eggers’ “Nosferatu,” a grandly Gothic reinterpretation of F.W. Murnau’s silent-film classic that channels the dark, psychosexual energies at the core of vampire mythology into a haunting tale of obsession.  Steeped in the shadows of its lineage—not only the German Expressionist original but also Bram Stoker’s

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