April 30, 2025 5:03 am

Roger Ebert Reviews

Bros

“Bros,” co-written by and starring Billy Eichner, has been touted as the first mainstream Hollywood studio-backed rom-com to feature gay men as the leads. Directed by Nicholas Stoller and produced by Judd Apatow, the film consciously evokes tropes from the hey-day of studio-backed romantic comedies, including nods to more than one Meg Ryan classic and […]

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Martin Scorsese’s World Cinema Project Returns with Fourth Criterion Box Set

Usually, this feature would offer mini-reviews of the six films in the latest “World Cinema Project,” an essential release from the Criterion Collection. However, life got hectic enough (including three Covid diagnoses in my house) that I haven’t been able to sample the set like I wanted to but didn’t want to let its release

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Michael Kutza Details Legacy of Chicago International Film Festival in Starstruck

The subhead for Michael Kutza’s autobiography really says it all: “How I magically transformed Chicago into Hollywood for more than fifty years.” Centered on a cover that includes shots of Tom Cruise, Sophia Loren, Jack Lemmon, and Anna Nicole Smith (?), Kutza’s intention is clear: This is a book about star power and how the

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Blonde

“Blonde” abuses and exploits Marilyn Monroe all over again, the way so many men did over the cultural icon’s tragic, too-short life. Maybe that’s the point, but it creates a maddening paradox: condemning the cruelty the superstar endured until her death at 36 while also reveling in it. And yet writer/director Andrew Dominik’s film, based on the

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Dead for a Dollar

These days, for a good number of notable directors, six years between films isn’t necessarily an unconscionably long time. So why, you may wonder, has there been so much excited anticipation about “Dead for a Dollar,” the first feature in six years from the protean action director Walter Hill? Well, for one thing, he turned

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Hocus Pocus 2

The 1993 Disney movie “Hocus Pocus” is the story of three witch sisters who were executed in Salem in 1693 and returned to create havoc 300 years later on Halloween. It is more than a classic; it is a cultural touchstone. Moderately successful on its first release, it became a phenomenon on home video and

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God’s Creatures

“God’s Creatures” is yet another movie about a mother realizing too slowly that her son may be a dangerous sociopath. Screenwriter Shane Crowley’s thin characterizations do little to make this tired trope worth revisiting, instead opting to shroud the film in mystery regarding its central crime. The mother in question, Aileen O’Hara (Emily Watson) immediately

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Vesper

An ecological catastrophe has launched the world into “the new dark ages,” as an opening title announces at the start of “Vesper,” a dystopian fairy tale about a 13-year-old girl who wants more than she’s taught to expect. Vesper (Raffiella Chapman), the curious title character, scavenges for seeds (to grow her own food), for power

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