Roger Ebert Reviews

10 NEW TO HBO MAX “Antlers““Argo““Barbarian““Doctor Sleep““The French Dispatch““Misery““Napoleon Dynamite““Spotlight““Waiting for Guffman”“The Witch“ 10 NEW TO NETFLIX “Call Me By Your Name”“Gladiator““Hunt for Red October”“Ocean’s Eleven““Pineapple Express““Point Break”“Risky Business““Rush Hour““Star Trek““This is the End” 9 NEW TO BLU-RAY “Arsenic and Old Lace” (Criterion) Parents often ask me what movies to use to introduce their kids […]

“Louis Armstrong‘s Black & Blues” reflects on the life and art of the legendary performer by delving into his records—not just all the ones he recorded on vinyl. Director Sacha Jenkins (“Everything’s Gonna Be All White”) was given access to the Armstrong estate’s collected materials, which includes decades’ worth of news clippings, reviews, and photographs;

In an era where movie scores often favor ambiance or electronic soundscapes, Jon Brion remains a champion of melody. Much has been written about his work with filmmakers like Paul Thomas Anderson and Michel Gondry. In films like “Punch-Drunk Love” and “Eternal Sunshine of the Spotless Mind,” Brion’s music evokes the lush soundscape of a Hollywood musical. His is a

Given their propensity to go big, there’s something refreshing about seeing Jessica Chastain and Eddie Redmayne play minor keys in Tobias Lindholm’s “The Good Nurse,” which premiered at TIFF before an October bow on Netflix. The problem is that the whole movie is in minor key. It’s as if respect for the admittedly brave protagonist

When the 19th BendFilm Festival held its in-person screenings this month in Bend, Oregon, one of its guests of honor was Oscar-nominated filmmaker Tamara Jenkins, who was honored by the programmers with the title of Indie Woman of the Year. Two of her films—her 1998 debut feature, “Slums of Beverly Hills,” and her latest work,

Sean Harris has always had a fascinating screen presence, one that’s slightly unstable and unsettling. He swallows some lines in a half-whisper and makes great use of a hollow, vacant stare. There’s something that feels haunted about the characters that he plays. And he makes great use of that skill set in Thomas M. Wright’s

It’s the spookiest season! And it’s the time that every studio with a decent catalog digs in and unleashes special editions of their horror classics. This month brought enough new Blu-rays and 4K releases for the horror nut that we thought it best to break them out into their own column. It’s not too late to

The title character of “Creature from the Black Lagoon” is both beautiful and terrifying. a prehistoric humanoid who lives in the Amazon River, surfacing to menace a boat full of Yankee explorers and lust after a beautiful young woman on their crew. He has long, taloned fingers and a round head with fins where humans

Guillermo del Toro does not direct any of the eight hour-long shorts in his new Netflix anthology “Guillermo del Toro’s Cabinet of Curiosities,” but it’s very much a continuation of the hard-worn values that have made him one of our greatest living horror filmmakers. Every story from its murderer’s row of notable horror directors—who cover a wide