December 22, 2024 6:24 pm

Roger Ebert Reviews

Saloum

“Revenge is like a river,” a woman says in voiceover at the beginning of the movie. Her next words give more detail to the simile, but it’s not until the very end of this unsettling, absorbing thriller that her thought is completed, so to speak—over a very convincing visual depiction. Written and directed by Congolese filmmaker […]

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The Cathedral

In Henry James’ 1897 novel What Maisie Knew, the child Maisie is an innocent bystander and victim of the dissolution of her narcissistic parents’ marriage. What makes What Maisie Knew a “modernist” novel (before Modernism as a literary concept came along), is its point of view. Told only from Maisie’s perspective, we experience her six-year-old

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Who Invited Them

A Hollywood Hills housewarming party eventually turns deadly in “Who Invited Them,” a staid home invasion thriller about a timid married couple who are bullied by two flirtatious strangers. More experienced—or funnier, or more exploitation-adept—filmmakers might have at least hit the mark for shock value in this ostensibly psycho-satirical button-pusher.  Writer/director Duncan Birmingham does not

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I Came By

It’s rare to accuse a Netflix thriller of being too ambitious but that’s kind of the case with Babak Anvari’s “I Came By,” a mostly effective potboiler that has the opposite problem of so many mini-series on the streaming service in that it has a TV season worth of ideas crammed into its runtime. Thrillers

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Prime Video’s Lord of the Rings Keeps the Spectacle of Peter Jackson, Loses Some of the Spirit

Given the massive, barn-burning success of Peter Jackson’s “The Lord of the Rings” trilogy, it can seem like a fool (of a Took!)’s errand to try to replicate that success, much less on the small screen. (Hell, Jackson himself tried to adapt The Hobbit into a similarly sprawling trio of films, to much less success.)

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Indie Film Site Alliance Forms Strategic Network with Top Media Outlets

Today marks the launch of the Indie Film Site Network (IFSN), a collaboration between well-respected media outlets covering the most essential developments in independent and international cinema. IFSN, which represents The Film Stage, Hammer to Nail, IONCINEMA.com, RogerEbert.com, and Screen Anarchy, was created with a mission to support film criticism and foster an ever-growing community of

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