October 31, 2024 2:36 pm

Roger Ebert Reviews

Hold Me Tight

A woman wakes up early, straightens up around the house, grabs a few items, and leaves her husband and two children sleeping. She drives away from her life, and her family’s panic starts to set in as they realize that mom isn’t coming home. There’s an early reference to “two months” that will have viewers […]

Hold Me Tight Read More »

Female Filmmakers in Focus: Adamma Ebo and Adanne Ebo on Honk for Jesus. Save Your Soul.

Adamma Ebo’s satirical “Honk for Jesus. Save Your Soul,” which premiered at the 2022 Sundance Film Festival, features career-best performances from its stars Sterling K. Brown and Regina Hall. Brown plays Lee-Curtis Childs, pastor of the fictional megachurch Wander To Greater Paths Baptist Church, who is in the midst of a sexual misconduct scandal. Hall plays

Female Filmmakers in Focus: Adamma Ebo and Adanne Ebo on Honk for Jesus. Save Your Soul. Read More »

Only a Few Tickets Left for FACETS Screen Gems Benefit on Wednesday, September 28th

I am inviting you to join me (only a few tickets are left) and help support FACETS at the 2022 Screen Gems Benefit on Wednesday, September 28th, at 6 pm at the Arts Club of Chicago, 201 E. Ontario Street. FACETS is Chicago’s historic film screening cinematheque and educational non-profit started by the late Milos Stehlik. I am proud

Only a Few Tickets Left for FACETS Screen Gems Benefit on Wednesday, September 28th Read More »

We Are As Gods

The Whole Earth Catalog, a broad-scope multi-disciplinarian magazine published between 1968 and 1972, opened with words from founder Stewart Brand: “We are as gods so we might as well get good at it.” This hubristic statement, so common in “visionary” types, particularly those who emerged from the “counterculture,” could sum up Stewart Brand (if he

We Are As Gods Read More »

Peter von Kant

Francois Ozon’s “Peter von Kant” is an odd, chilly film, even by this director’s standards. A psychological drama about a filmmaker in mid’-’70s Cologne, it gender-flips Rainer Werner Fassbinder’s 1978 “The Bitter Tears of Petra von Kant,” about the relationship between the eponymous fashion designer (Margit Carstensen), her nonspeaking assistant Marlene (Irm Hermann), and a young woman

Peter von Kant Read More »

Venice Film Festival 2022: The Whale, The Ghost of Richard Harris, Don’t Worry Darling

Early in “The Whale,” the new film directed by Darren Aronofsky from a script by Samuel D. Hunter (adapting his stage play), Liz (Hong Chau), a nurse who voluntarily looks after her friend Charlie (Brendan Frasier) notes that Charlie, who’s having an episode that convulses the entirety of his 600-pound body, is showing a blood

Venice Film Festival 2022: The Whale, The Ghost of Richard Harris, Don’t Worry Darling Read More »

Telluride Film Festival 2022: Retrograde, A Compassionate Spy

Two political documentaries that recently premiered at the 2022 Telluride Film Festival were inadvertent thematic companions of sorts, charting the US’s involvement in two different wars from varying viewpoints. First, there’s the soul-piercing “Retrograde” by the fearless documentarian Matthew Heineman, who knows a thing or two about being on the front lines, following an unfolding

Telluride Film Festival 2022: Retrograde, A Compassionate Spy Read More »