January 22, 2025 2:50 pm

Roger Ebert Reviews

The Private is Public: On the 10th Anniversary of “Nightcrawler”

Dan Gilroy’s directorial debut “Nightcrawler” was released ten years ago this Halloween. While not conventionally a horror film, the incisive story of Lou Bloom’s (Jake Gyllenhaal) foray into the information industry is a dossier on the misanthropic, violent appetite of news media. Until “Nightcrawler,” video acquisition felt like a relatively unthought element of watching the […]

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CIFF 2024: Compensation, The Spook Who Sat by the Door, Save the Children

In its 28th year of showcasing films at the Chicago International Film Festival, the Black Perspectives Program has put archival classics back on the big screen, giving them the ability to impact new audiences in new ways. With the power of 4K restorative technology, meaning the visual and audio of a film are remastered and

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CIFF 2024: The Light of Truth: Richard Hunt’s Monument to Ida B. Wells, Time Passages, Slice of Life: The American Dream. In Former Pizza Huts

Amidst the grim offerings of the Chicago International Film Festival, I found myself comforted by a trio of documentaries, which enchant in their reminder that the hope of renewal and transformation is never too far away. A son trying to connect with his mother amid her late-stage dementia, the construction of an iconic Chicago monument,

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Our Film Has A Power: Basel Adra and Yuval Abraham on No Other Land

A revelatory, vérité-style documentary that should go down as one of the year’s defining films, “No Other Land” exposes Israel’s relentless campaign of violence against the Palestinian community of Masafer Yatta in a southern area of the occupied West Bank.  Having lived in their villages since the 19th century, the local population faces the threat of mass

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Netflix’s Sharp “The Diplomat” Offers Escapism for Political Junkies

It’s a tough time to be a fan of the political world in that it’s, well, basically on fire. And so it’s an interesting choice to drop the 6-episode second season of Netflix’s Emmy-nominated “The Diplomat” into the vitriolic stew that passes for international politics in late 2024. Someone must have decided that a season

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CIFF 2024: On the Legacy and Importance of The Spook Who Sat by the Door

“I was doing a soap opera in New York. One day, somebody called me and asked if I could come out to Gary, Indiana,” recalls actor J. A. Preston. “Gary, Indiana? Are you crazy?” The film that would bring Preston to Indiana was director Ivan Dixon’s audacious adaptation of Sam Greenlee’s radical novel “The Spook

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Breakfast Is Served—Again: Alan Rudolph on the reissue of “Breakfast of Champions”

Back in the mid-1970s, the great Robert Altman was reportedly planning a film of Kurt Vonnegut’s 1973 best-seller “Breakfast of Champions,” his wild, satirical novel aiming at the increasingly brutal nature of American society. It would follow two characters crossing paths: Dwayne Hoover, a big-shot car dealer in Midland City who seems to have it

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