September 20, 2024 10:20 am

Roger Ebert Reviews

#445 November 8, 2022

Matt writes: While covering this year’s BendFilm Festival in Bend, Oregon, last month, I had the great joy of speaking at length with Oscar-nominated filmmaker Tamara Jenkins (“Slums of Beverly Hills,” “The Savages“), who was honored by the festival as its Indie Woman of the Year. Our interview focuses primarily on her 2018 masterwork, “Private

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A Childlike Imagination and a Childlike Sense of Trust: Nora Twomey on My Father’s Dragon

Nora Twomey describes herself as a “hands-on” director of animated films. Her latest, “My Father’s Dragon,” follows her acclaimed films “The Secret of Kells” and “The Breadwinner,” all created through traditional hand-drawn animation. In an interview, she talked about why hand-drawn animation is so important to her and what moment early in the story made

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Good Night Oppy

The warm and engaging “Good Night Oppy” isn’t a Disney or Pixar movie, but a lot of times it feels like one. Directed by Ryan White (“The Keepers,” “The Case Against 8“), it’s a documentary about the mission to explore the surface of Mars with remote-controlled, unmanned robots, named Spirit and Opportunity. The mission started in 2003 and continued all

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Starz Take on Dangerous Liaisons Lacks Creative Passion

With “Dangerous Liaisons,” Starz continues its doubling or tripling down on the bawdy, “Bridgerton”-y period costume dramas it’s made its stock in trade over the last few years. And for what it’s worth, the source material seems prime fodder for the network’s penchant for slightly modernized, bodice-ripping tales of powerful women surviving in worlds of

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28th Black Harvest Film Festival Highlights: Local Premieres and Fest Hits Populate Stand-out Program

The 2022 Black Harvest Film Festival has been dedicated to my friend and colleague, Sergio Mims, who passed away last month. The co-founder of the annual Chicago event would be overjoyed to see what’s about to unfold at the Gene Siskel Film Center starting today and running through November 20th (before a virtual component launches

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Causeway

With “Causeway,” Jennifer Lawrence returns to the kind of raw, understated performance that put her on the map and earned her the first of her many Academy Award nominations when she was only 20 years old. All the naturalism and authenticity she exhibited in Debra Granik’s excellent, 2010 indie drama “Winter’s Bone” are on display

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The Estate

There’s no saving some movies from themselves, even if they come loaded with a fool-proof idea and a parade of talented actors who should be able to sell even a much lesser premise. Unfortunately, “Death at a Funeral” writer Dean Craig’s fumbling “The Estate” is one of those movies. On paper, its “let’s swindle our

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