September 21, 2024 4:27 pm

Roger Ebert Reviews

The Sage, The Crone: Judith Ivey on Her Role in Women Talking

The cast of “Women Talking,” written and directed by Sarah Polley, faced several challenges when adapting the book by Miriam Toews. First, it takes place almost entirely in one setting, with a varied group of characters trying to decide on behalf of all of the community’s women whether they will do nothing and continue to accept the

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#448 December 20, 2022

Matt writes: In this final Ebert Club newsletter of 2022, we are pleased to present our RogerEbert.com writers’ composite list for the Top Ten Films of 2022, led by Martin McDonagh’s latest masterwork, “The Banshees of Inisherin,” starring Colin Farrell in a career-best performance (the film also won the Best Picture prize from the Chicago

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Babylon

Damien Chazelle is obsessed with the punishing pursuit of perfection. Whether it’s finding an immaculate tempo, hurtling into space, or making it big in Hollywood, his films feature characters who are willing to endure physical and emotional torture to reach the finish line. If “La La Land” was his wide-eyed, sentimental look at the movie

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The Big 4

Indonesian director Timo Tjahjanto makes movies that embrace the absurd potential of filmmaking. I remember being a kid and hearing someone say that the best action movies show you something you’ve never seen before and you’re not sure is even possible. Tjahjanto believes in a chaotic, comedic approach to action filmmaking, which reached its career

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Jurassic Punk

Steve “Spaz” Williams is not a name that’s in the front of most movie lovers’ minds, but he’s a famous name to veterans of the special effects industry: a pioneer in motion-capture and realistic computer rendering who helped make the current era of cinema possible, for better and worse. The documentary “Jurassic Punk” explains why his name

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The Super 8 Years

Nobel Prize-winning writer Annie Ernaux is known for her blending of memory with historical and sociological context. In unearthing home movies shot by her ex-husband Phillipe during the last decade of their marriage from roughly 1972 until 1981, Ernaux and her son David Ernaux-Briot have crafted a visual odyssey in much the same vein with

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